Tamara Diaz Bringas Crítica Próxima / Critical Proximity complies five essays by the Cuban-Costa Rican curator, researcher and writer Tamara Diaz Bringa. Since the late nineties, Tamara's work has been desicive in contributing to the construction of the local and international field of debate about the region's contemporary art. The essays collected here, written between 2001 and 2015, reveal her diverse interests and proposals, which range from the rigourous observation of artistic processes to the reflection on specific political conjunctures, from retrospective overviews to poetic excercises relecting on the future.

Adrienne Samos Divorcio A La Panamena / Divorce Panamanian Style compiles five essays by Panamanian editor, curator, journalist, and art acritic Adrienne Samos, written between 2000 and 2015. Her texts have been one of the most important driving forces of critical thinking in Panama since the early 1990s reflecting upon the relevance and the public dimension of contemporary art. Samos's writings perfectly understod what it means to respond opportunely to the urgencies of specific place and time. Each text is an attempt to grasp those different moments of transformation and to reconstruct the social, econmic, and polital processes that led to some of the most daring artistic practices in the region.

Ed Atkins

Centre for Contemporary Arts

Centre for Contemporary Art

Pavel Buchler

Alice Yard

Editor Jaqueline Bishop

Charles Henry Rowell A Journal of African Diaspora Arts and Letters

Edited by Marielle Barrow and Marsha Pearce

Kim Robinson-Walcott

Kim Robinson-Walcott

National Archaeological Museum Aruba

Graduate School of CCW Baring Archive

Cyprus Dossier

Cyprus Dossier

Cyprus Dossier

Cyprus Dossier

Cyprus Dossier

Cyprus Dossier

Kaila, Jan, Slager, Henk

An Interstitial Journal of the Americas In an email describing his project Crossings, Jason Mena writes, "(..) I did this action of walking across all these streets with the names of Latin American countries and used my body as a metaphor for my absent country and the streets as a metaphor for the imaginary borders bewteen countries," Dolce Still Criollo similarly embodies this absence, existing within the liminality of the differing cultural, liguistic and aesthetic factors of each of its contributors.

Valerie Steele Fashion Theory takes as its starting point a definition of 'fashion' as the cultural construction of the embodied identity. It provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. All articles have solid theoretical underpinnings and are based on original research.
Fashion Theory is covered by the following abstracting/indexing services: Abstracts in Anthropology; AOI Anthropological Index Online; ARTbibliographies Modern; British Humanities Index; DAAI Design and Applied Arts Index; IBR International Bibliography of Book Reviews of Scholarly Literature in the Humanities and Social Sciences; IBSS International Bibliography of the Social Sciences; IBZ International Bibliography of Periodical Literature on the Humanities and Social Sciences; ISI Arts and Humanities Citation Index; Scopus; Sociological Abstracts

David Applefield

Carlyle Reedy

Kim Robinson-Walcott

Kim Robinson-Walcott

Kim Robinson-Walcott

Kim Robinson-Walcott

Prepared by Tracy Commock and keron C. St E. Campbell - Natural History Museum of Jamaica

Kim Robinson-Walcott

Edna Manley College of the Visual and Performing Arts

Brad Freeman

Brad Freeman

Brad Freeman

Brad Freeman

Brad Freeman

Department of Film Studies Jadavpur University

Bwalya J. Mwanza

Zeigam Azizov, Mieke Bal, Cathleen Chaffee, Anselm Franke, RoseLee Goldberg, Milena Hoegsberg, Bartomeu Marí, Peter Osborne The Grammar of the Exhibition Manifesta Journals new series on contemporary curatorship starts with an inquiry into the fundamental aspects of curating - namely the grammar of the exhibition. In this context, grammar can be defined as the linguistics and vocabulary of curating, and can also be considered an accepted methodology to help interpret and define the ideas, decisions and actions of the curator. Subdivided in various sections, a differentiated group of authors has been invited to contribute to MJ#.

Viktor Misiano

Katy Deepwell

Katy Deepwell Founded in 1998, n.paradoxa (ISSN: 1461-0434) publishes scholarly and critical articles written by women critics, art historians and artists which extend feminist art, theory, criticism and history on and about the work of contemporary women artists post-1970 (visual arts only) working anywhere in the world. Each thematic volume in print contains artists and authors from more than 10 countries in the world and explores their work in relation to feminist theory.

Steven Ball, Simon Gould, Antony Hudek

Guest editor: Lisa Le Feuvre

Flat Time House, Lisa Le Feuvre

CCW Graduate School

Karl Watson

University of the West Indies, Jamaica