Eddie Chambers

The National Art Gallery of The Bahamas

The World Bank Art Program

National Art Gallery Committee

Bruce Grenville

Allora, Calzadilla Featuring the work of over twenty Canadian and international artists, 'Adaptation' explores what happens when human and non-human animals, plants and the natural world meet, and the myriad forms of communication, miscommunication, intamacy, and exchange that ensue.

Lutz Heusinger and Fabrizio Mancelli

The National Art Gallery of The Bahamas

Louise Dompierre

Biblioteca Luis-Angel Argango

National Art Gallery of the Bahamas

Antonio Manuel, Alexandra Garcia, Claudia Calirman, Gabriela Rangel Antonio Manuel (born 1947) helped define the groundbreaking neo-avant-garde movement that emerged in Rio de Janeiro in the 1960s. Making his mark in 1970 at the height of Brazil's military dictatorship with "The Body is the Work" (in which he submitted his naked body to the Museu de Arte Moderna), Manuel's conceptual and performance work and manipulation of mass-media materials would expand the possibilities of experimental art as a means to political subversion and liberation. Assembled with the direct collaboration of the artist himself, Antonio Manuel: I Want to Act, Not Represent! is the first U.S. publication devoted to his work, and includes a range of never before seen images and documents, a substantive interview, and a facsimile reproduction of Phallic Weapon, a photo-novel starring Hélio Oiticica, which has never been published outside of Brazil.

Dennis de Caires

National Art Gallery Committee

Andrew Guest The notion of BALTIC began in 1991, when Arts Council England North East announced its ambition to achieve major new capital facilities for the Contemporary Visual Arts in Central Tyneside. Just a year later, the disused Baltic Flour Mills on the south bank of the river Tyne in Gateshead were selected as the site for this new development. In 1994, architect Dominic Williams, of Ellis Williams Architects, was announced as the winner of the competition organised by the Royal Institute of British Architects and Gateshead Council for the conversion of the mills into a contemporary art gallery. The result is a major international centre for contemporary art, the biggest gallery of its kind with 3000 square metres of arts space, which presents a dynamic and diverse programme of contemporary visual art. Joining the Art Spaces series and published in association with BALTIC comes this absorbing little book tracing the architectural development of BALTIC, from Flour Mill to Art Factory, and its function

Adi Martis, Jennifer Smit "ARTE" is the first illustrated overview of the visual arts on the Netherlands Antilles and Aruba. With 115 color illustrations representing the work of sixty artists, both living and dead, this publication provides a look at the best the "Netherlands Caribbean" has to offer. Authors Adi Martis and Jennifer Smit, distinguished art historians from the region, describe the surprising artistic development that has been taking place on these six Caribbean islands in recent decades.

Dinah Dysart, Hannah Fink

The National Art Gallery of The Bahamas

The National Art Gallery of the Bahamas

Philip Monk

Jorge Fernandez Torres Bienal de la Habana 2015 [Paperback] [Jan 01, 2015] Jorge Fernandez Torres ...

"big river" tapped into a complex breadth of life experiences and brought unexpected challenges into the negotiations among artists of different disciplines and foci, from diverse national and socio-political contexts, amid artists and the immediate physical and social environment of Grande Riviere, and between artists and their responses to the physiological fragility of humankind.

Joscelyn Gardner

Candice Breitz, Gregory Burke, Anne Wagner, Claire Gilman

Centre de Plastiques Contemporains

Rex Dixon and Patricia Mohammed

Samella S. Lewis

Deborah Cullen, Elvis Fuentes Unprecedented in scope, this beautiful book offers an authoritative examination of the modern history of the Caribbean through its artistic culture. Featuring 500 color illustrations of artworks from the late 18th through the 21st century, the book explores modern and contemporary art, ranging from the Haitian revolution to the present.

Acknowledging both the individuality of each island, the richness of the coastal regions, and the reach of the Diaspora, Caribbean looks at the vital visual and cultural links that exist among these diverse constituencies. The authors examine how the Caribbean has been imagined and pictured, and the role of art in the development of national identity. Essays by leading scholars cover such topics as the interconnections between Caribbean artistic production to its colonial contexts; between various generations of artists; and between the so-called high and low arts and religion, music, and carnival celebrations. Primary source documents crucial to understanding the region provide an important complement.

Edited by Deborah Cullen and Elvis Fuentes, and featuring essays by Katherine Manthorne, Mari Carmen Ramírez, Lowery Stokes Sims, and Edward J. Sullivan, among many others, this book will serve as the definitive volume on Caribbean visual culture for many decades to come.

Museo Extremeno e Iberoamericano de Arte Comtemporaneo

Shirley Rufin

Warfeild Center Galleries, Austin TX

Greatmore Studios

Harjeet Kaur, Ziauddin Sardar, Richard Appignanesi

Charles Campbell

Maya Aguiluz Iobargën New product. Never used!

We aim to inquire into the relation between queer sensibilities and visual art practice in the Caribbean and artists of Caribbbean descent in the Caribbean diaspora. How have Caribbean artists responded to the ideological and sometimes legal constraints around sexual identity and sexual pratice? How have they responded to the conformist state and to community practices concerning modes of family, kinship, and belonging? Can one read dissenting engagement with sexual idenity in the practice of Caribbean visual practitioners? In what ways? Indeed, can one speak braodly of a "queer visuality" in the Caribbean? What, in short, are the dimensions of Caribbean queer aesthetics, and what might some of the implications be for a queer perspectives on Caribbean contemporary art practice.

Nkiru Nzegwu

Amanda Coulson Retrospective of Eddie Minnis by NAGB

This catalogue is dedicated to Robert Rosenblum, William S. Rubin and Leo Steinberg, extraordinary art historians who have probed the meaning and significance of Picasso's Les Demoiselles d'Avignon, and who have - in their own seperate ways ( with remarkably different approaches and writing styles) contributed to our understanding and appreciation of a masterpiece of twentieth-century art.

Dennis de Caires

The Usher Gallery

Eduardo Veras

The National Art Gallery of the Bahamas

National Gallery of Jamaica

Louise Dompierre, Verena Andermatt Conley, Janine Marchessault Five artists respond through their work to technology’s impact on the environment and on personal lives, acknowledging the mutations that nature, subordinated to technology, is undergoing.

Kassel The catalogue of the 1992 Documenta, the international art exhibition held in Germany every five years. These three volumes consist of a complete catalogue, biographies, bibliographies, essays, colour spreads, and a black and white spread containing each artist's choice of images and information.

Lyle O. Reitzel Arte Contemporaneo

Richard Calvocoressi

Nouveau Centro de Arts

The Glass Bridge Gallery Group Exhibition featuring 11 participants.

Eileen M. Foti

National Gallery of Jamaica

O'Neil Lawrence

Lyle O. Reitzel Arte Contemporaneo

Fondation Clement

The National Art Gallery of The Bahamas

Edited by Anthony Downey, Lina Lazaar

Lyle O. Reitzel Arte Contemporaneo

Jasmine Thomas-Girvan

Jasmine Thomas-Girvan

Glenn Ligon, Darby English, Wayne Baerwaldt, Huey Copeland

Lucy Byatt, Katrina Brown, Louise Welsh, Dr. Penelope Curtis, Jane Connarty

Camilla Brown, Edward Chaney, Alexandra Boyd, Peter Bonnell

The National Art Gallery of The Bahamas

Lyle O. Reitzel Gallery

Guyana Women Artists' Association

Chantal Pontbriand

Perez Art Museum Miami

Nelson Herrera Ysla

Ian Wallace, Josh Thorpe, Gregory Burke The Economy of the Image presents a newly commissioned suite of 12 large-scale photo-lamination paintings by Vancouver-based artist Ian Wallace (born 1943). The paintings reference photographs taken by the artist in Canada's most important financial district in Toronto. This artist's book reproduces each work individually and then systematically increases the levels of magnification to focus on details selected by the artist.XX

Richard Rhodes

Raquel Paiewonsky

Polibio Diaz

National Gallery of Jamaica

Therese Hadchity

Gerald McMaster and Lee-Ann Martin In 'Indigena, Native Canadians address historal injustice with passion and clarity, while offering hope for the future.

Tumelo Mosaka, Annie Paul , Nicollette Ramirez Infinite Island: Contemporary Caribbean Art presents forty-five artists of Caribbean descent and accompanies a major exhibition of their work.
 
Historically, the islands of the Caribbean have experienced the trauma of slavery and colonialism and have witnessed an ongoing series of migrations and resettlements by many different groups—European, African, Asian. This book explores the continual process of encounter and creative response as Caribbean peoples transform their mix of cultures to meet changing contemporary conditions. It addresses broad questions about identity, myth-making, and local traditions, and the way that artists responded to these issues, to demonstrate the diversity of viewpoints and shared concerns that characterize contemporary Caribbean art.
 
With over 200 artworks by both emerging and established artists in a wide variety of mediums - from painting, sculpture and installation, to photography, digital media and video - this highly illustrated, full-colour volume provides a comprehensive overview of Caribbean art today and includes commentaries on the development and nature of individual artists' work.

Catherine de Zegher Published on the occasion of a major exhibition opening at the Institute of Contemporary Art in Boston, Inside the Visible presents a gendered reading of more than thirty women artists of vastly different background and experience. The work of important yet previously "invisible" figures is highlighted alongside the work of established artists to create a retheorized interpretation of the art of this century.

Structured in terms of recurrent cycles over time, Inside the Visible focuses on three periods (the 1930s and 1940s, the 1960s and 1970s, and the 1990s) that anticipated a wave of political repression, nationalism, and xenophopia, often stimulating artistic production that redefined practice. Illustrated essays document each artist in the collection. In addition, four general essays trace the connections among the artists. These take up such issues as why artistic recognition eluded certain artists and why their work is only just becoming visible today. They also address overlapping themes such as gender and sexuality; the intersection of racial, class, ethnic, sexual, and regional identities; and the nature of the relationship between work and viewer.

Pascal meccariello

Setene Wendt

Roger Billcliffe

Joanne Tatham, Tom O'Sullivan

National Gallery of Jamaica This exhibtion is a contribution to the conversation about Kingston as a Creative City

Carlos Gallardo

Alison Chapman Andrews

The Washington Sculptors Group

Rutgers The State University of New Jersey

Paco das Artes

Liz Magor

Therese Hadchity

Greatmore Studios

Marina Abramovic Marina Abramovic is one of the best-known performance artists in Europe. Born in the former Yugoslavia, her career has been a personal investigation of physical limits and mental potential. When she was 22 years of age she stood naked in a public square in Zagreb and carved the communist star around her navel with a razor blade. Her performances with partner Ulay exploited the audiences' reaction to the physical and mental extremes realised by the bond between two people. This heightened intensity established with the audience formed the actual artwork. This monograph is produced and designed in close collaboration with the artist and forms a personal scrapbook of her life and influences, ranging from Buddhism, the aboriginals of Australia and religious iconography, to Western artists such as Joseph Beuys.

Marisol Escobar

Xandra Eden

National Gallery of Jamaica

O'Neil Lawrence

Tatter, Jordan Munk Martin Material Cultures by Tatter

The National Art Gallery of the Bahamas

Sylvia Wright

Judith Mc Willie

BCC Graphics Graduates

Julius S., Rene Taylor And James N. Carder Held

The National Art Gallery of The Bahamas

The National Art Gallery of The Bahamas

The National Art Gallery of The Bahamas

The National Art Gallery of The Bahamas

Monica De Miranda

Published to accompany an exhibition opening at the Saatchi Gallery, London, in June 2010, Newspeak: British Art Now features an exciting array of up-and-coming British artists selected by renowned collector Charles Saatchi. As he did for Damien Hirst, Tracy Emin, and many others with his Sensation show, Saatchi stands to launch the careers of a new generation of artists with this provocative collection.

One of the more than 50 featured artists has been selected from a BBC2 reality television series, Saatchi's Art Star, during which six artists trained with some of the most influential names in the art world today. Saatchi selected only one to exhibit in Newspeak and travel to Russia, where the show opens at the State Hermitage Museum before moving to London.

Patricia Ellis, an artist and curator who has worked with the Saatchi Gallery since 1998, provides the foreword and world-renowned designer Jonathan Barnbrook adds his touch: in the dark, the fluorescent green cover changes colors to reveal a new design.

The National Art Gallery of The Bahamas

The National Art Gallery of The Bahamas

Mark King

Tumelo Mosaka, Tobias Ostrander Inspired by the writings of author and philosopher Édouard Glissant (1928 – 2011), this exhibition responds to Miami as a site defined culturally by its diasporic communities and it looks to place these local dynamics in dialogue with more distant contexts that share similar histories. Poetics of Relation explores shifts in the sensibilities and global outlook of artists whose work engages the historical legacy of trauma caused by colonialism and migration. By pursuing Glissant’s logic of displacing the singularity of nationality, language and ethnicity, in exchange for adopting multiple rooted identities, the works displayed in the exhibition will engage this vision of a diverse and transient world of migrant subjects. The artists included in this project will offer complex narratives informed by historical experience, illuminating the role of place and location as central to the conception of itinerant identity.

Museo de Arte Moderno

El Museo del Barrio

The Prince Claus Fund

The National Art Gallery of The Bahamas

Dennis de Caires

Barbara Fischer

Andrea Fatona

R. Brent Malone

CCW Graduate School

Prince Claus Fund

Kristina Newman-Scott, Yona Backer

Liam Gillick, Donnie O'Rourke, Nicola White

C.M. Harclyde Walcott

University of the West Indies This volume contains 50 colour reproductions of Caribbean art and sculpture housed at the three campuses of the University of the West Indies in Barbados, Jamaica, Trinidad and Tobago.

Shirin Neshat, Beatrice Stammer, Britta Schmitz When the novella Women without Men was published in Tehran in 1989, it was promptly banned and its author, Shahrnush Parsipur, imprisoned. Fifteen years later, Shirin Neshat has begun to make a film based on ParsipurÌs work, which will become her first feature-length work. The first installments, documented here, introduce the lives of five women who find themselves in a deceptively paradisiacal garden after a difficult journey. NeshatÌs subversively dual filmic language, orientated towards both Iranian and western modes of cinematography, brings viewers and readers the open-endedness of her perspective on authenticity in both ethnicity and art, and brings to the fore her complex identity and the complex identity of her artistic practice—historically Western art for a largely Western audience centered on Iranian topics. This new book offers a provocative allegory of life in Iran today, and this sneak peek at NeshatÌs earliest work on it offers an invaluable glimpse of her working methods.

Catalogue of an exhibition held at the Power Plant Contemporary Art Gallery at Harbourfront Centre, Dec. 9, 2000-Mar. 4, 2001.
Essay by Barry Schwabsky; exhibition curated by Marc Mayer.

Clement Cooper

Centro Cultural de Espana en Santanto Domingo

Selections from the Wayne, Myrene Cox Collection

Abhigail Hadeed

Jonathan Murry

Guillermo Santamarina Laura Anderson Barbata

tate Britain 2011/2012Thiss

Ahmed Basiony

Inter-American Development Bank . Cultural Center "L'Estampe en France: Thirty-four Young Printmakers" provides an oppurtunity for the art loving public of the nation's capital to appreciate the work of contemporary French artists commited to printmaking.

Nanijing Shenghua Art Centre (Nanjing) The Shanghua Arts Center in Nanjing provided a wonderfully supportive environment that enabled Kate MccGwire and Susan Stockwell to thrive and realize ideas that would have been impossible elesewhere.

Winston Kellman

Louise; Power Plant (Art gallery) Dompierre

CMAC Scene National de Martinique

Amanda Coulson, NAGB

Rosa Irgoyen

Giacomo Picca Exhibition of Giacomo Picca's work

Wetterling Gallery

Nina Castelli Sundell

Art in Embassies Exhibition

beatriz Santiago Munoz

Tiong Ang et al

Victor Brauner

Joscelyn Gardner

Fondation Clement

Gillion Grantsaan, Remy Jungerman

Trevor Schoonmaker This richly illustrated full-color catalog accompanies the first major solo museum exhibition and most comprehensive survey of the artist Wangechi Mutu's work, on view at the Nasher Museum of Art at Duke University from March 21, 2013, through July 21, 2013, before traveling to the Brooklyn Museum. Born in Nairobi, Kenya, in 1972, and now based in Brooklyn, Mutu renders the complex global sensibility of the early twenty-first century through a distinctly hybrid aesthetic. She combines found materials and magazine cutouts with sculpture and painted imagery, sampling from sources and phenomena as diverse as African traditions, international politics, the fashion industry, and science fiction. In her work, Mutu marries poetic symbolism with sociopolitical critique to explore issues of gender, race, war, colonialism, and, particularly, the exoticization of the black female body.

The many images included in Wangechi Mutu: A Fantastic Journey highlight the most important and iconic works that Mutu has created since the mid-1990s, as well as portray new collages, drawings, videos, and site-specific installations. The catalog also offers an intimate look into her sketchbooks and includes an interview with the artist conducted by the exhibition's curator, Trevor Schoonmaker. Essays by Schoonmaker, the art historian Kristine Stiles, and the critic, musician, and producer Greg Tate are paired with an illustrated chronology of Mutu's work.

Publication of the Nasher Museum of Art at Duke University

The National Art Gallery of the Bahamas

Annalee Davis

Joscelyn Gardner

Zemicon Gallery, the NAGC

Lauara Hamilton

Chateau-Musee Grimaldi

Veerle Poupeye

Culturgest